{"id":3188,"date":"2015-01-30T17:23:52","date_gmt":"2015-01-30T16:23:52","guid":{"rendered":"http:\/\/www.slovakdoublebassclub.com\/?p=3188"},"modified":"2015-01-30T17:33:54","modified_gmt":"2015-01-30T16:33:54","slug":"mpi-classic-malts","status":"publish","type":"post","link":"https:\/\/www.slovakdoublebassclub.com\/SK\/mpi-classic-malts\/","title":{"rendered":"MPI CLASSIC MALTS &#8211; Ronald \u0160ebesta"},"content":{"rendered":"<p dir=\"ltr\">Srde\u010dne V\u00e1s poz\u00fdvame na koncert popredn\u00e9ho Slovensk\u00e9ho klarinetistu Ronalda \u0160ebestu s jeho programom <strong>Classic Malts<\/strong>.\u00a0<a href=\"http:\/\/www.slovakdoublebassclub.com\/wp-content\/uploads\/2015\/01\/MPI_2015_-_februar.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-3189\" alt=\"MPI_2015_-_februar\" src=\"http:\/\/www.slovakdoublebassclub.com\/wp-content\/uploads\/2015\/01\/MPI_2015_-_februar-723x1024.jpg\" width=\"723\" height=\"1024\" srcset=\"https:\/\/www.slovakdoublebassclub.com\/wp-content\/uploads\/2015\/01\/MPI_2015_-_februar-723x1024.jpg 723w, https:\/\/www.slovakdoublebassclub.com\/wp-content\/uploads\/2015\/01\/MPI_2015_-_februar-600x849.jpg 600w, https:\/\/www.slovakdoublebassclub.com\/wp-content\/uploads\/2015\/01\/MPI_2015_-_februar-212x300.jpg 212w, https:\/\/www.slovakdoublebassclub.com\/wp-content\/uploads\/2015\/01\/MPI_2015_-_februar-670x948.jpg 670w, https:\/\/www.slovakdoublebassclub.com\/wp-content\/uploads\/2015\/01\/MPI_2015_-_februar.jpg 1000w\" sizes=\"auto, (max-width: 723px) 100vw, 723px\" \/><\/a><\/p>\n<p dir=\"ltr\"><strong>PROGRAM<\/strong><\/p>\n<p dir=\"ltr\"><strong>Igor Stravinskij<\/strong> (1882\u20131971) \u2013 Tri skladby pre s\u00f3lov\u00fd klarinet<\/p>\n<p dir=\"ltr\"><strong>Giacinto Scelsi<\/strong> (1905\u20131988) \u2013 Ixor<\/p>\n<p dir=\"ltr\"><strong>Salvatore Sciarrino<\/strong> (1947) \u2013 Let me die before I wake<\/p>\n<p dir=\"ltr\"><strong>Karlheinz Stockhausen<\/strong> (1928\u20132007) \u2013 In Freundschaft<\/p>\n<p dir=\"ltr\"><strong>Steve Reich<\/strong> (1936) \u2013 New York Counterpoint<\/p>\n<p dir=\"ltr\">Vo svete \u0161k\u00f3tskej single malt (\u201ejednosladovej\u201c) whisky sa rozli\u0161uje \u0161es\u0165 regi\u00f3nov v\u00fdroby tohto jedine\u010dn\u00e9ho prejavu \u0161k\u00f3tskej kult\u00fary. Ka\u017ed\u00fd z regi\u00f3nov m\u00e1 svojho whisky &#8211; reprezentanta, uznan\u00e9ho za predstavite\u013ea najtypickej\u0161\u00edch vlastnost\u00ed single malt danej oblasti. T\u00edto reprezentanti spolu vytv\u00e1raj\u00fa kateg\u00f3riu s n\u00e1zvom \u201eclassic malts\u201c. N\u00e1zov dramaturgie dne\u0161n\u00e9ho koncertu, ako v\u00fdberu \u010dasom preveren\u00fdch kusov klarinetovej s\u00f3lovej literat\u00fary, je teda metaforou. Vo\u013eba n\u00e1zvu je z\u00e1rove\u0148 vyjadren\u00edm m\u00f4jho obdivu a afinity k\u00a0svetu single malt whisky, v jej mnohorakosti a u\u0161\u013eachtilej komplexnosti..<\/p>\n<p dir=\"ltr\">Stravinsk\u00e9ho Tri skladby pre s\u00f3lov\u00fd klarinet s\u00fa prv\u00fdm dielom modernej hudby pre klarinet bez sprievodu in\u00e9ho n\u00e1stroja. Odli\u0161n\u00fd v\u00fdraz ka\u017edej z\u00a0\u010dast\u00ed, v\u010faka majstrovsk\u00e9mu vc\u00edteniu autora do zvukovosti n\u00e1stroja, ako aj celkom nov\u00e1torsk\u00e1 idiomatika ka\u017edej z nich, sved\u010dia o mozartovskom talente skladate\u013ea, schopn\u00e9ho na prv\u00fd pokus s\u00a0brav\u00farou naplni\u0165 dovtedy nezadan\u00e9 kompozi\u010dn\u00e9 idey. \u00a0\u00a0Ixor Giacinta Scelsiho je kr\u00e1tkou uk\u00e1\u017ekou majstrovstva in\u00e9ho ve\u013ek\u00e9ho sonoristu 20. storo\u010dia, silne ovplyvnen\u00e9ho\u00a0introvertnou hudbou budhistick\u00fdch kl\u00e1\u0161torov. \u00a0\u00a0Do tretice nasleduje v\u00fdsostne sonoristick\u00e1 skladba Let me die before I\u00a0wake Salvatore Sciarinna, predstavuj\u00faca in\u00fd charakteristick\u00fd typus sonority klarinetu, s\u00a0hudobne zmyslupln\u00fdm, nesamo\u00fa\u010deln\u00fdm vyu\u017eit\u00edm techniky multiphonics, \u010di\u017ee viaczvukov. \u00a0\u00a0In Freundschaft Karlheinza Stockhausena je klarinetov\u00fdm \u201eclassic malt\u201c z\u00a0opa\u010dn\u00e9ho p\u00f3lu. Ide o v\u00fdsostne \u0161truktur\u00e1lnu, majstrovsk\u00fa kompoz\u00edciu vo varia\u010dnej forme. Pre interpreta predstavuje ot\u00e1zku prisp\u00f4sobenia zvukov\u00e9ho po\u013ea tak, aby nedoch\u00e1dzalo k\u00a0estetick\u00e9mu nes\u00faladu medzi silne \u0161truktur\u00e1lnym charakterom skladby a pastor\u00e1lnym charakterom zvukovosti klarinetu. \u00a0\u00a0New York Counterpoint Steva Reicha je premietnut\u00edm skladate\u013eovho repetit\u00edvneho jazyka do m\u00e9dia klarinetovej zvukovosti. Koncept skladby pre ans\u00e1mbel n\u00e1strojov rovnakej skupiny obsahuje \u00faskalie mo\u017enej \u00fanavy posluch\u00e1\u010dovej pozornosti z unilosti\u00a0pou\u017eitej sonority. Reich, hoci sa pri n\u00e1stupe niektor\u00fdch idi\u00f3mov nevyhol konot\u00e1ci\u00e1m s\u00a0jazzom,\u00a0skladbu ako celok zvl\u00e1da rozvinut\u00edm sebe vlastnej hudobnej \u0161trukt\u00fary s\u00a0typick\u00fdm \u00e9tosom, ktor\u00fd napokon dominuje a\u00a0zanech\u00e1va siln\u00fd dojem.<\/p>\n<p dir=\"ltr\">Ronald \u0160ebesta<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Srde\u010dne V\u00e1s poz\u00fdvame na koncert popredn\u00e9ho Slovensk\u00e9ho klarinetistu Ronalda \u0160ebestu s jeho programom Classic Malts.\u00a0 PROGRAM Igor Stravinskij (1882\u20131971) \u2013 Tri skladby pre s\u00f3lov\u00fd klarinet Giacinto Scelsi (1905\u20131988) \u2013 Ixor Salvatore Sciarrino (1947) \u2013 Let me die before I wake &hellip; <a href=\"https:\/\/www.slovakdoublebassclub.com\/SK\/mpi-classic-malts\/\">Continued<\/a><\/p>\n","protected":false},"author":5,"featured_media":3189,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[13,15],"tags":[],"class_list":["post-3188","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktuality","category-koncerty"],"_links":{"self":[{"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/posts\/3188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/comments?post=3188"}],"version-history":[{"count":2,"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/posts\/3188\/revisions"}],"predecessor-version":[{"id":3191,"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/posts\/3188\/revisions\/3191"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/media\/3189"}],"wp:attachment":[{"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/media?parent=3188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/categories?post=3188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/tags?post=3188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}