{"id":4420,"date":"2017-02-23T21:29:21","date_gmt":"2017-02-23T20:29:21","guid":{"rendered":"http:\/\/www.slovakdoublebassclub.com\/?post_type=product&#038;p=4420"},"modified":"2017-02-23T22:18:23","modified_gmt":"2017-02-23T21:18:23","slug":"cd-bassband","status":"publish","type":"product","link":"https:\/\/www.slovakdoublebassclub.com\/SK\/product\/cd-bassband\/","title":{"rendered":"CD BassBand"},"content":{"rendered":"<a href=\"http:\/\/www.slovakdoublebassclub.com\/wp-content\/uploads\/2017\/02\/zadna-01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-4431\" src=\"http:\/\/www.slovakdoublebassclub.com\/wp-content\/uploads\/2017\/02\/zadna-01-1024x917.jpg\" alt=\"\" width=\"1024\" height=\"917\" srcset=\"https:\/\/www.slovakdoublebassclub.com\/wp-content\/uploads\/2017\/02\/zadna-01-1024x917.jpg 1024w, https:\/\/www.slovakdoublebassclub.com\/wp-content\/uploads\/2017\/02\/zadna-01-600x538.jpg 600w, https:\/\/www.slovakdoublebassclub.com\/wp-content\/uploads\/2017\/02\/zadna-01-300x269.jpg 300w, https:\/\/www.slovakdoublebassclub.com\/wp-content\/uploads\/2017\/02\/zadna-01-768x688.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>","protected":false},"excerpt":{"rendered":"<p><strong>BassBand CD<\/strong><\/p>\n<p>Pavol Bodn\u00e1r&nbsp;&nbsp; &#8211; Lam-Mal-Lam&nbsp; \/2015\/<\/p>\n<p>Stano Pal\u00fach \u2013 Basovica \u201e<em>Bassovica<\/em>&nbsp; \/2013\/<\/p>\n<p>Marcel Comendant \u2013 Nu Stiu \u2013Neviem&nbsp;&nbsp;<em>\u2013\u201eI don\u00b4t know\u201c<\/em><em>&nbsp;<\/em>&nbsp;&nbsp;\/2014\/<\/p>\n<p>Rafael Catal\u00e1 \u2013 Rumbass \/ 2015\/<\/p>\n<p>Lucia Chu\u0165kov\u00e1 \u2013 Metal Song(\/2015\/<\/p>\n<p>Marian Lejava&nbsp; &#8211; F\u00faga\/\u00datek &nbsp;zo \u201eSonata Brevis \u201e\/2015\/&nbsp;<em>&#8222;Fuga\/Escape&#8220; \/ (no.3 from Sonata brevis, 2015<\/em><\/p>\n<p>J\u00e1n Borza \u2013 H\u00e1dka \u010d\u00edslo 5 \u201e<em>The scrape Nr. 5\u201c<\/em>&nbsp;\/2005\/<\/p>\n<p>Vincent Ja\u0161 \u2013 M\u00e1lka \/2013\/<\/p>\n<p>Herwig Neugebauer&nbsp; &#8211; Soulful Suzie \/2014\/<\/p>\n<p>J\u00e1n Gr\u00e9ner \u2013 \u0160tyri \u013eudov\u00e9 piesne \u201e<em>For folks songs\u201c<\/em>&nbsp; \/2015\/&nbsp;&nbsp;&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Koment\u00e1re autorov:<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>J.Gr\u00e9ner<\/strong>:&#8230;moja slabos\u0165 pre t\u00fato zvl\u00e1\u0161tnu \u00fachylku\/4.kontrabasy\/ , vych\u00e1dza pravdepodobne zo skuto\u010dnosti , \u017ee s\u00e1m hr\u00e1m u\u017e ve\u013ea rokov na podobne , ak nie aj viac diskriminovanom n\u00e1stroji \u2013 viola..<\/p>\n<p><em>Probably my qualm for this special deviation (4 basses) comes from the fact, that since years I&nbsp;play very similar (maybe more underprivileged) musical instrument \u2013 viol.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>V.Ja\u0161 \u2013<\/strong>&nbsp;\u0161tyri tel\u00e1- \u0161tyri hlasy , vyhr\u00e1vaj\u00fa kontrabasy&#8230;<\/p>\n<p><em><strong>\u2013<\/strong><\/em><strong><em>&nbsp;<\/em><\/strong><em>4 bodies \u2013 4 voices, the winners are basses&#8230;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>P.Bodn\u00e1r<\/strong>&nbsp;\u2013Kontrabas je n\u00e1stroj, ktor\u00fd ma \u010dasto sprev\u00e1dza v jazzov\u00fdch produkci\u00e1ch, Zbo\u017e\u0148ujem ho! Ke\u010f\u017ee s\u00fazvuky v basovom registri znej\u00fa &#8222;muddy&#8220;, zablatene, ne\u010disto, rozhodol som sa popusti\u0165 uzdu fant\u00e1zii a v\u00fdsledkom je skladba Lam-Mal-Lam.<\/p>\n<p>Ako Lama\u010dan a sez\u00f3nny turista rob\u00edm kr\u00e1tke t\u00fary v Mal\u00fdch Karpatoch. Jednou z mojich ob\u013e\u00faben\u00fdch kr\u00e1tkych tr\u00e1s je Lama\u010d &#8211;&gt; Malinsk\u00fd vrch &#8211;&gt; Lama\u010d. Na tejto trase mi napadla aj t\u00e9ma kontrabasov\u00e9ho kvarteta. Jankovi sa n\u00e1zov p\u00e1\u010dil mimo in\u00e9ho aj preto, \u017ee evokuje technick\u00fa obtia\u017enos\u0165 skladby ( &#8222;l\u00e1m&#8220;anie prstov ), a \u017ee v n\u00e1zve je i arabsk\u00fd mot\u00edv; n\u00e1zov pripom\u00edna nejak\u00e9 arabsk\u00e9 slovo. V\u00fdhoda n\u00e1zvu tkvie v tom, \u017ee v pr\u00edpade vojny s arabmi m\u00f4\u017ee Janko argumentova\u0165, \u017ee m\u00e1 r\u00e1d arabov, lebo hr\u00e1 skladbu s n\u00e1zvom&nbsp;<em>Lam-Mal-Lam<\/em>.&nbsp;<br \/>\nPavol Bodn\u00e1r<\/p>\n<p><em>It was a&nbsp;pleasure for me, as Janko spoke to me to write a&nbsp;song for the contrabass quartet. I&nbsp;adore a contrabass as an musical instrument, which follows me&nbsp; by jazz performances. It was a&nbsp;big challange to write a&nbsp;song for this group. Forasmuch as sound the harmonies in the bass register \u201emuddy\u201c, not clean, I&nbsp;decided to don\u00b4t write the crossholds with the under voices beyound the common chords and octavs, to do not mist the harmony uselesly. After first check of score in progress Janko asked me: \u201eWill be there no harmony?\u201c, I&nbsp;decided to add more tones into the under-surface. At last he argued me, that I&nbsp;don\u00b4t have to take care about the technical limitings, that all to vocal g1 is actable by contrabass. I&nbsp;decided to let the phantasy fly and the result it the song Lam-Mal-Lam.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>M.Comendant<\/strong>&#8211; Skladba Nu \u0219tiu vznikla na pokyn ;-) m\u00f4jho \u0161vagra a hlavne \u0161\u00e9fa bassbandu. A som ve\u013emi r\u00e1d \u017ee sa to podarilo nahra\u0165, aj ze spravili chlapci aj videoklip k tomu. Samozrejme ze sa ve\u013emi te\u0161\u00edm \u017ee som mohol tak\u00fdmto sp\u00f4sobom prispie\u0165 do reperto\u00e1ru basoveho kvarteta. Je to ve\u013ek\u00e1 pocta pre m\u0148a. In\u0161pir\u00e1ciou pre m\u0148a boli moje korene a d\u00fafam \u017ee je to len za\u010diatok na\u0161ej spolupr\u00e1ce. Prajem v\u0161etko dobr\u00e9.<\/p>\n<p><em>\u2013 The song Nu \u0219tiu uprised on the signal of my Brother-in-Law nd the boss of the bassband. I\u00b4m very happy, that in managed to record this song and that guys made a&nbsp;video-clip for this song too. Of course, I\u00b4m very happy, that I&nbsp;was able to contribute for a&nbsp;repertory of this bass quartet in this way. It is a&nbsp;big honour for me. It were my rootage as an inspiration for me and I&nbsp;hope, it is the beginn of our cooperation. I&nbsp;wish all the best!<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Rafael Catala<\/strong>&#8211;<\/p>\n<p>BassBand: \u201eMil\u00fd Rafael chceli by sme od Teba ma\u0165 nejak\u00fd \u201ek\u00fasok\u201c pre nov\u00e9 CD&#8230;.\u201c<\/p>\n<p>\u010co\u017ee? P\u00edsa\u0165 pre 4 kontrabasy? Nechceli by si mil\u00fd Janko e\u0161te bubienok? Hmm? Tak\u017ee, naozaj, skladate\u013e ako ja m\u00e1 p\u00edsa\u0165 pre 4 kontrabasy&#8230;to je jasn\u00e9&#8230;mmm&#8230;no ano&#8230;gajdy a&nbsp;triangel by boli asi e\u0161te problematickej\u0161ie, \u010do? A&nbsp;Janko, ve\u010f ten hral na kontrabase piccolo miesta. Ak s\u00fa jeho kolegovia tie\u017e tak\u00ed dobr\u00ed&#8230; \u201eOukej\u201c, sk\u00fasime to.<\/p>\n<p>Tak Juanito, v&nbsp;kr\u00e1tkem \u010dase vznikol Rumbass. A&nbsp;preto mus\u00edte pri hran\u00ed vypusti\u0165 \u201esvi\u0148u\u201c a&nbsp;na konci skladby zmyselne vrtie\u0165 zadkom. A&nbsp;s\u00edce tak ako stoj\u00ed v&nbsp;partiture, S\u00fahlas? Spr\u00e1vne Repeat a&nbsp;Fade prod\u013a\u017ei\u0165. To aspo\u0148 pri nahr\u00e1van\u00ed nebude \u201evidie\u0165\u201c<\/p>\n<p><em>Bassband: &#8230;\u201cHello Rafael, we would like&nbsp; to have a&nbsp;song for the Bassband from you&#8230;\u201c<\/em><\/p>\n<p><em>Rafael Catala<\/em><strong><em>:<\/em><\/strong><em>\u201eWhat? To write for 4 basse? Would you like, dear Jan, any drum to it? Hmm? So, really, a&nbsp;composer as me should write for 4 basses&#8230;no question&#8230;.mmmm. A&nbsp;bagpipe and triangle would be maybe more difficult, or? And Jan, he played some contrabass piccolo places. If his colleagues&nbsp; are so good like he. Okay, let\u00b4s tray to do it!<\/em><\/p>\n<p><em>So Juanito, in the short time arose the Rumbass. And than you have to let out the pig and shake with the ash on the end of this song salaciously. As it stays in the score. Do you agree? To extend the Repeat and the Fade. It cannot be seen by the recording.<\/em><\/p>\n<p>Rafael<\/p>\n<p>&nbsp;<\/p>\n<p><strong>J.Borza- &nbsp;<\/strong><\/p>\n<p>\u201enajtragickej\u0161ie h\u00e1dky kon\u010dia tie nevypovedan\u00e9!\u201c<\/p>\n<p><em>\u201e the most tragic scrapes ends unsaid!\u201c<\/em><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<ol>\n<li><strong> Lejava<\/strong><\/li>\n<\/ol>\n<p>&#8222;Bass Band? \u0160tyria bl\u00e1zni, metalov\u00ed barokisti. Cely \u010das pri nahr\u00e1van\u00ed F\u00fagy\/\u00dateku som ich musel kroti\u0165! S\u00e1la, kde sme to nahr\u00e1vali u\u017e praskala v z\u00e1kladoch! Te\u0161\u00edm sa, \u017ee si chalani skladbu objednali a poriadne sa do nej zahryzli. S\u00fa ojedinel\u00ed a jedine\u010dn\u00ed z\u00e1rove\u0148! A Jano Krigovsk\u00fd je tajf\u00fan! Ve\u013ek\u00e1 v\u010faka V\u00e1m chalani!<\/p>\n<p><em><strong>\u201e<\/strong><\/em><em>Bass band? Four medman,a metal baroque players. I&nbsp;had to remit them by the recording all the time. Tha hall, where we recorded it, seamed. I\u00b4m happy, that the guys ordered this song and they took a&nbsp;bit roundly in. They are rare and unique as well.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>H.Neugabauer<\/strong><\/p>\n<p>Bol som ve\u013emi pote\u0161en\u00fd, ke\u010f ma Janko po\u017eiadal o&nbsp;nap\u00edsanie skladby pre Bass Band. Bola to celkom v\u00fdzva pou\u017ei\u0165 cel\u00fd rozsah kontrabasu, a&nbsp;z\u00e1rove\u0148 necha\u0165 hudbu plyn\u00fa\u0165 v&nbsp;\u201egroove\u201c \u013eahkej kr\u00e1\u010daj\u00facej n\u00e1lade. Druh\u00e1 v\u00fdzva bola pou\u017ei\u0165 komplex harm\u00f3ni\u00ed vcelku n\u00edzkom&nbsp; rozsahu. Ale tu nie je pochybnos\u0165 \u017ee Bass Band to rozozneje!<\/p>\n<p><em>I was very pleased, when Jan asked me to write a piece for his bass band. It was quite a challenge to use the whole range of the bass,&nbsp;<\/em><\/p>\n<p><em>and still keep the music bouncing and grooving in an light-footed way. The second challenge was the use of complex harmonies in a rather low range,&nbsp;<\/em><\/p>\n<p><em>but there is no doubt, the bass band will make it sound!<\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"featured_media":4385,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0},"product_brand":[],"product_cat":[56],"product_tag":[],"class_list":{"0":"post-4420","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-uncategorized","8":"first","9":"instock","10":"shipping-taxable","11":"purchasable","12":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/product\/4420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/comments?post=4420"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/media\/4385"}],"wp:attachment":[{"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/media?parent=4420"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/product_brand?post=4420"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/product_cat?post=4420"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.slovakdoublebassclub.com\/SK\/wp-json\/wp\/v2\/product_tag?post=4420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}