{"id":1399,"date":"2013-10-30T22:45:27","date_gmt":"2013-10-30T21:45:27","guid":{"rendered":"http:\/\/www.slovakdoublebassclub.com\/?page_id=1399"},"modified":"2015-06-29T15:30:03","modified_gmt":"2015-06-29T13:30:03","slug":"rafael-catala","status":"publish","type":"page","link":"https:\/\/www.slovakdoublebassclub.com\/en\/rafael-catala\/","title":{"rendered":"Rafael Catala"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"http:\/\/www.slovakdoublebassclub.com\/wp-content\/uploads\/2013\/10\/Rafael-Catala.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1400\" src=\"http:\/\/www.slovakdoublebassclub.com\/wp-content\/uploads\/2013\/10\/Rafael-Catala-300x224.jpg\" alt=\"Rafael Catala\" width=\"300\" height=\"224\" srcset=\"https:\/\/www.slovakdoublebassclub.com\/wp-content\/uploads\/2013\/10\/Rafael-Catala-300x224.jpg 300w, https:\/\/www.slovakdoublebassclub.com\/wp-content\/uploads\/2013\/10\/Rafael-Catala.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Rafael Catal\u00e1, born in Valencia.<\/p>\n<p>His worldwide concerts in many European countries, Japan, the Middle East, Mexico and the USA,<\/p>\n<p>(Tokyo Opera Concert Hall, Izumi Hall Osaka; Londons St. John\u00b4s Smith Square, Musikverein<\/p>\n<p>Vienna as a Soloist with the Vienna Symphony Orchestra, Konzerthaus Vienna, Schloss Sanssouci<\/p>\n<p>Potsdam\/Berlin, Khan Theater Jerusalem) and his awarded CD recordings, for well-known labels<\/p>\n<p>such as Sony Classical, have made him a very sought-after musician.<\/p>\n<p>Always looking for something new to include in his work, Rafael Catal\u00e1&#8217;s music tends to originate<\/p>\n<p>from diverse sources. He also seeks the cooperation of important Early Music \u2013 and jazz musicians<\/p>\n<p>to enrich his music and to embrace improvisation and in doing so gives audiences and critics alike<\/p>\n<p>a new perspective on the classical &amp; Jazz repertoire, which is enthusiastically received.<\/p>\n<p>He has worked in Duo with major artists such as mezzo-soprano Teresa Berganza (Japan Tour<\/p>\n<p>2004), and the baritone Carlos Alvarez.<\/p>\n<p>He regularly leads courses and seminars in various music universities (Munich, Vienna, Bremen):<\/p>\n<p>Through his research on Spanish music between 1850 &#8211; 1950, and the influence of its main<\/p>\n<p>elements (especially flamenco) on the classical guitar repertoire, he has achieved an outstanding<\/p>\n<p>international reputation.<\/p>\n<p>His works and arrangements are published by Doblinger (Vienna).<\/p>\n<p>2011 he founded in Austria his own label ElDuende Productions<\/p>\n<p>Most significant CD recordings:<\/p>\n<p>\uf0b7 Rafael Catal\u00e1, Fantasia (Sony Classical) was awarded with the Critic&#8217;s Price in Japan and<\/p>\n<p>voted &#8220;best Record&#8221; (Art of the Record &#8211; July 2004).<\/p>\n<p>\uf0b7 N\u00f3madas (ElDuende Produtions, 2013), Rafael Catal\u00e1, Guitar\/ Jan Krigovsky, Double Bass<\/p>\n<p>\/ Hrvoje Rupcic, Percussion<\/p>\n<p>\uf0b7 Tales of the Minotaur (ElDuende Productions, 2011) Rafael Catal\u00e1, Guitars; Roger Bl\u00e0via,<\/p>\n<p>percussion; Albert Kreuzer, Double Bass<\/p>\n<p>\uf0b7 Echoes of flamenco (Gramola, 2008). Rafael Catal\u00e1, Guitars; Roger Bl\u00e0via, percussion;<\/p>\n<p>Katalin Halmai, Voice; Albert Kreuzer, Double Bass, Istvan T\u00f3th, Double Bass.<\/p>\n<p>\uf0b7 Canciones espa\u00f1olas y un poema (Gramola, 2008), with Carlos \u00c1lvarez.<\/p>\n<p>\uf0b7 Rafael Catal\u00e1, Generaci\u00f3n 27 (EOS Records, 2006).<\/p>\n<p>\uf0b7 Rafael Catal\u00e1, M\u00fasica Iberica (Sony Classical, 1994)<\/p>\n<p>\uf0b7 Sound of the silence Guitar (together with A. Lagoya and Los Angeles Guitar Quartet,<\/p>\n<p>Sony Classical)<\/p>\n<p>\uf0b7 he has recording with Letizia Scherrer the Brahms\u00b4 Deutsche Lieder, in arrangement by<\/p>\n<p>R. D\u00fcnser (VMS Records)<\/p>\n<p>As an editor, he has significantly contributed to the renewal of the guitar repertoire, and to<\/p>\n<p>discovering new paths of musical exploration. He is the editor of the guitar music series Musica<\/p>\n<p>Iberica, dedicated to Spanish guitar music of the 19th Century . So far five volumes have<\/p>\n<p>appeared. Through his work with Teresa Berganza, he published his arrangements and critical<\/p>\n<p>studies of the 15 Canciones populares espa\u00f1olas antiguas, collected by Federico Garc\u00eda Lorca also<\/p>\n<p>for Doblinger. In the series for the German publisher Chanterelle \u201cSpanish guitar music from the<\/p>\n<p>27 generation of 1927: the Legacy of Manuel de Falla\u201c, Catal\u00e1 has included very important and<\/p>\n<p>largely unknown works from the first half of the 20th Century.<\/p>\n<p>Music \/ Guitar Studies, Master of Arts in Barcelona, Paris, Graz<\/p>\n<p>As a composer he has attended courses with Cristobal Halffter, Luis de Pablo and Helmut<\/p>\n<p>Lachenmann. His plays and adaptations have been performed in several countries in Europe,<\/p>\n<p>Japan and the U.S. Some of them have been taken up by various radio and television stations and<\/p>\n<p>are published by Clivis Verlag (Barcelona), Verlag Doblinger (Vienna) and Chanterelle Verlag<\/p>\n<p>(Heidelberg).<\/p>\n<p>http:\/\/www.rafael-catala.com\/ http:\/\/de.elduende-productions.com\/","protected":false},"excerpt":{"rendered":"<p>&nbsp; Rafael Catal\u00e1, born in Valencia. His worldwide concerts in many European countries, Japan, the Middle East, Mexico and the USA, (Tokyo Opera Concert Hall, Izumi Hall Osaka; Londons St. John\u00b4s Smith Square, Musikverein Vienna as a Soloist with the &hellip; <a href=\"https:\/\/www.slovakdoublebassclub.com\/en\/rafael-catala\/\">Continued<\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1399","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/pages\/1399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/comments?post=1399"}],"version-history":[{"count":5,"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/pages\/1399\/revisions"}],"predecessor-version":[{"id":3810,"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/pages\/1399\/revisions\/3810"}],"wp:attachment":[{"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/media?parent=1399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}