{"id":261,"date":"2012-03-17T00:34:34","date_gmt":"2012-03-16T23:34:34","guid":{"rendered":"http:\/\/www.slovakdoublebassclub.com\/?page_id=261"},"modified":"2018-05-12T12:27:39","modified_gmt":"2018-05-12T10:27:39","slug":"jan-krigovsky","status":"publish","type":"page","link":"https:\/\/www.slovakdoublebassclub.com\/en\/jan-krigovsky\/","title":{"rendered":"J\u00e1n Krigovsk\u00fd"},"content":{"rendered":"

\"jan-krigovsky\"<\/a><\/p>\n

“He is a coveted double bassists, in the esembles of an authentic interpratition first of all, but in the esembles for the current folk and experimental music as well. The reason is his players\u00b4 skill, the musicianship and the quality of the sound demonstration. Mr. Krigovsk\u00fd shos  wiht the generous, vital and technical pure play as a sololist.”<\/p>\n

(Vladim\u00edr \u010c\u00ed\u017eik: The lexicon of the Slovak concentral Art II)<\/p>\n

The centre of  the J\u00e1n Krigovsk\u00fd\u00b4s interest is the interpretation of the chamber and sole creation, and of orchestral playing too.<\/p>\n

He cooperates with several  esambles as a chamber player, with the esambles, which are specialing in the old music firts of all: Wiener Accademie (Martin Haselb\u00f6ck), Ars Antiqua Austria (Gunar Letzbor), La Cetra Basel (Ciara Banchini), Capriccio Basel, Freitags Accademie Bern, Royal Orquestra Catalunia (Jordi Savall), Collegium Marianum Praha (Jana Semer\u00e1dov\u00e1), Collegium 1704 Prague (V\u00e1clav Luks), La Fioritta Basel, Freiburg Barock Orchester, an international union Octet Ampion (it obtained the 1. Place on the competition of classistics Instruments in Netherlands, 2003); and with the domestic  configuration for the actual music Alea (leader Boris Lenko). The music partners of him were:<\/p>\n

Bohdan Warchal, Ewald Danel, Peter Zaj\u00ed\u010dek, Milo\u0161 Valent, Alexander Jablokov \u2013 vn; Jozef Podhoransk\u00fd \u2013 vc, Magdal\u00e9na Ko\u017een\u00e1 \u2013 ms,; and the conductor persons Claudio Abbado, Serge Baudo, Jordi Savall, Ren\u00e9 Jacobs, Sigiswald Kuijken and other.<\/p>\n

He cooperated as a sololist with the domestic entities as Capella Istropolitana, \u0160KO \u017dilina, Musica aeterna, and with lot of a foreign entities as well,  for example: . L\u00b4Orfeo in Linz, Capriccio Basel, Konzerthaus Wien and Musikverrein Wien, He affected in lot of orchestras and essambles in Slovakia during his studium and after he graduated too: \u0160F Ko\u0161ice, The state theatre Ko\u0161ice,The chamber opera Bratislava, S\u013dUK, \u0160KO \u017dilina, SND Bratislava, Musica aeterna and other.)<\/p>\n

He introduced hisselfs as a sololist  and as a member of the chamber esambles too on the prominent festivals here in Slovakia (BHS, The days of an old music Bratislava and Ko\u0161ice, The music spring of Ko\u0161ice, Melos-\u00c9tos); and at foreign festivals as well: The musci spring of Prague -, Wiener Festspielwochen, Salzburger Festspielwochen, Festspielwochen in Munich, at the festivals of and old music in Italy, (Cremona, Roma, Pizza), Austria (Linz, Innsbruck), Swizterland (Basel, Z\u00fcrich, Bern), Germany (Berl\u00edn, Bonn, Frankfurt, Strassburg, Schwetzingen), Netherlands (Amsterdam, Den Haag) and in Spain (Barcelona)).<\/p>\n

He is active as a educationist since he studied at The Academy of musician art constantly. He teachaed  at the Conservatory in \u017dilina (1994-1996) and at the Private conservatory in Topo\u013e\u010dany(1996-2001).<\/p>\n

Since 2000 he is affecting as a educationist at The sacral conservatory in Bratislava and since 2002 at The Academy of art Bansk\u00e1 Bystrica. He recorded as a chamber player for the slovak, the czech and the german (CPO, WDR, NDR, ZDF), the austrian (ORF, ORF1, Institut fur Tyroler Musikforschung Innsbruck) and a french (Pan Clasic, Arcana) radio and television.
\nHe is addicted to a viol playing, catcalls, cembalo, piano and singsong on the concerts too.<\/p>","protected":false},"excerpt":{"rendered":"

“He is a coveted double bassists, in the esembles of an authentic interpratition first of all, but in the esembles for the current folk and experimental music as well. The reason is his players\u00b4 skill, the musicianship and the quality of … Continued<\/a><\/p>\n","protected":false},"author":2,"featured_media":4379,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-261","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/pages\/261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/comments?post=261"}],"version-history":[{"count":13,"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/pages\/261\/revisions"}],"predecessor-version":[{"id":4720,"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/pages\/261\/revisions\/4720"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/media\/4379"}],"wp:attachment":[{"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/media?parent=261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}