{"id":4313,"date":"2016-11-01T17:53:38","date_gmt":"2016-11-01T16:53:38","guid":{"rendered":"http:\/\/www.slovakdoublebassclub.com\/?page_id=4313"},"modified":"2016-11-01T18:18:38","modified_gmt":"2016-11-01T17:18:38","slug":"zoltan-janikovic","status":"publish","type":"page","link":"https:\/\/www.slovakdoublebassclub.com\/en\/zoltan-janikovic\/","title":{"rendered":"Zolt\u00e1n Janikovi\u010d"},"content":{"rendered":"\"_mst_-zoltan-janikovic_-001\"<\/a><\/p>\n

 <\/p>\n

Vzdelanie:<\/strong><\/p>\n

2002 – 2008\u00a0\u00a0\u00a0 Univerzita Komensk\u00e9ho v\u00a0Bratislave, Pedagogick\u00e1 fakulta, doktorandsk\u00e9 \u0161t\u00fadium<\/p>\n

1990 – 1995 \u00a0\u00a0 Vysok\u00e1 \u0161kola m\u00fazick\u00fdch umen\u00ed v\u00a0Bratislave<\/p>\n

1985 – 1990 \u00a0\u00a0 Konzervat\u00f3rium v\u00a0Bratislave<\/p>\n

1981 – 1985 \u00a0\u00a0 Gymn\u00e1zium Ivana Horv\u00e1tha v\u00a0Bratislave<\/p>\n

pr\u00edrodovedn\u00e1 trieda s\u00a0roz\u0161\u00edren\u00fdm jazykom nemeck\u00fdm a\u00a0rusk\u00fdm<\/p>\n

Dopl\u0148uj\u00face vzdelanie:<\/strong><\/p>\n

2001 – 2003 \u00a0\u00a0 dopl\u0148uj\u00face pedagogick\u00e9 \u0161t\u00fadium umeleck\u00e9ho odboru V\u0160MU v\u00a0Bratislave<\/p>\n

Pracovn\u00e9 pedagogick\u00e9 zaradenia:<\/strong><\/p>\n

1996 – \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Konzervat\u00f3rium v\u00a0Bratislave, u\u010dite\u013e:\u00a0 hra na kontrabase, komorn\u00e1 hra, odborn\u00e9 pedagogick\u00e9 predmety<\/p>\n

2002 – 2003\u00a0\u00a0\u00a0 Riadite\u013e ZU\u0160 v\u00a0Bratislave 1 Star\u00e9 mesto,\u00a0 \u0160tef\u00e1nikova 6<\/p>\n

1988 – 1990 \u00a0\u00a0 u\u010dite\u013e hudby na \u013d\u0160U Exn\u00e1rov\u00e1 16, Bratislava<\/p>\n

Pracovn\u00e9 umeleck\u00e9 zaradenia:<\/strong><\/p>\n

2012 – 2015\u00a0\u00a0\u00a0 solo kontrabasista v opere\u00a0SND v Bratislave<\/p>\n

1995 – \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u010dlen Wiener Residenz Orchester, Rak\u00fasko<\/p>\n

1991 –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u010dlen viedensk\u00e9ho komorn\u00e9ho orchestra Haydn Sinfonietta Wien<\/p>\n

2001 – 2003\u00a0\u00a0\u00a0 umeleck\u00fd ved\u00faci Wiener Residenz Orchester, Rak\u00fasko<\/p>\n

1991 – 1998 \u00a0\u00a0 \u010dlen komorn\u00e9ho s\u00faboru Musica Aeterna (Slovensk\u00e1 Filharm\u00f3nia)<\/p>\n

1990 – 1992 \u00a0\u00a0 \u010dlen orchestra Slovensk\u00e9ho n\u00e1rodn\u00e9ho divadla<\/p>\n

1989 – 1990 \u00a0\u00a0 hos\u0165uj\u00faci \u010dlen orchestra Slovenskej Filharm\u00f3nie<\/p>\n

Publika\u010dn\u00e1 \u010dinnos\u0165:<\/strong><\/p>\n

\u00a0<\/strong>2011 dokon\u010denie tvorby u\u010debnice \u201eV\u00fdchova umen\u00edm\u201c<\/p>\n

\u201eV\u00fdchova umen\u00edm\u201c<\/p>\n

Rok 2010,\u00a0 pr\u00edprava u\u010debnice pre 3. ro\u010dn\u00edk Gymn\u00e1zi\u00ed, objedn\u00e1vate\u013e: Ministerstvo \u0161kolstva SR<\/p>\n

Pr\u00edprava \u201eVzdel\u00e1vac\u00edch programov pre u\u010dite\u013eov ZU\u015a\u201c, objedn\u00e1vate\u013e: Konzervat\u00f3rium v Bratislave<\/p>\n

\u201eSvetovo uzn\u00e1van\u00ed hudobn\u00edci musia by\u0165 okrem dobr\u00e9ho pr\u00edjmu pripraven\u00ed na \u017eivot osamote\u201c<\/p>\n

\u010casopis Profit, 51219<\/p>\n

23.01.2009<\/p>\n

Koncertn\u00e1 poh\u013eadnica z\u00a0Aradu, Na\u0161a univerzita, 1\/2006<\/p>\n

\u201ePr\u00edprava projektu prezent\u00e1cie slovenskej hudobnej kult\u00fary pre zahrani\u010dn\u00fdch n\u00e1v\u0161tevn\u00edkov Slovenska\u201c<\/p>\n

\u201eViedensk\u00e1 hudba 20. storo\u010dia a\u00a0jej interpret\u00e1cia\u201c<\/p>\n

Rozhovor poskytnut\u00fd pre rumunsk\u00fa \u0161t\u00e1tnu telev\u00edznu spolo\u010dnos\u0165 v\u00a0Arade, odvysielan\u00e9 30.05.06, 01.06.06,\u00a0 Arad, Rumunsko<\/p>\n

\u201ePr\u00edprava celo\u0161t\u00e1tnych u\u010debn\u00fdch pl\u00e1nov pre konzervat\u00f3ri\u00e1 z\u00a0predmetov: hra na kontrabase, komorn\u00e1 hra, hra z\u00a0listu, pedagogick\u00e1 prax, metodika, interpreta\u010dn\u00fd semin\u00e1r\u201c<\/p>\n

Apr\u00edl, m\u00e1j, j\u00fan 2005<\/p>\n

\u201eHudba m\u00e1 vzdel\u00e1vac\u00ed charakter\u201c<\/p>\n

Rozhovor pre SRO, m\u00e1j 2003<\/p>\n

Umeleck\u00e1 \u010dinnos\u0165:<\/strong><\/p>\n

Pravideln\u00e9 koncertn\u00e9 vystupovanie: Haydn Sinfonietta Wien, Slovensk\u00e9 N\u00e1rodne Divadlo v\u00a0Bratislava, Wiener Residenz Orchester, Solamente Naturali a \u010fal\u0161ie orchestre.<\/p>\n

Marec 2007: pr\u00edprava vzdel\u00e1vacieho cyklu opern\u00fdch koncertov v\u00a0r\u00e1mci koncertov Wiener Residenz Orchester.<\/p>\n

\u201ePr\u00edprava v\u00fdchovno-vzdel\u00e1vacieho cyklu koncertov vo Viedni pre zahrani\u010dn\u00fdch \u0161tudentov\u201c<\/p>\n

Februar 2006, Wiener Residenz Orchester<\/p>\n

Zakladate\u013e komorn\u00e9ho orchestra Ambassador Orchester Pre\u00dfburg, rok 1999<\/p>\n

Dirigentsk\u00e9 hos\u0165ovanie (orchester Arad,Rumunsko, Wiener Residenz Orchester, Rak\u00fasko,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ambassador Orchester Pre\u00dfburg, Slovensko)<\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Hudobn\u00e9 nahr\u00e1vky:<\/strong><\/p>\n

24 CD-platn\u00ed komornej hudby ( Musica Aeterna, Haydn sinfonietta Wien, Moyzes Quartet…)<\/p>\n

cca 60 rozhlasov\u00fdch a filmov\u00fdch nahr\u00e1vok<\/p>\n

J.Haydn\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Notturni vol.1<\/p>\n

F.Schubert\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ouvert\u00fcren Vol.1<\/p>\n

J.Haydn\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Baryton-octette vol.1<\/p>\n

J.Haydn\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Complete Overtures, vol.2<\/p>\n

J.Haydn\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Complete Overtures, vol.1<\/p>\n

J.Haydn\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Divertimenti vol.3<\/p>\n

J.Haydn\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Divertimenti vol.2<\/p>\n

J.Haydn\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Concerti a due lire organizzate<\/p>\n

J.Haydn\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 6 Scherzandi<\/p>\n

J.Haydn\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Divertimenti vol.1<\/p>\n

W.A.Mozart \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Serenade \u201eEine kleine Nachtmusik\u201c K 525<\/p>\n

A.Vivaldi \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Gloria,RV 589, Magnificat, RV 610<\/p>\n

J.\u0160imbrack\u00fd\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Latin church music<\/p>\n

J.Stamitz\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Six trios pour orchestre, op.1<\/p>\n

G.Benda \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Soir\u00e9e \u00e1 Gotha<\/p>\n

Chr. Graupner, G.Ph. Telemann \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Music from the court of Darmstadt<\/p>\n

J.S. Kusser\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Six ouvertures de th\u00e9atre<\/p>\n

G.Muffat \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Concerti grossi VII. \u2013 XII.<\/p>\n

A.Corelli, G.Torelli \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Baroque christmas<\/p>\n

G.Muffat \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Concerti grossi I. \u2013 VI.<\/p>\n

J.S.Bach, G.P.Telemann, G.F.H\u00e4ndel \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Cantatas<\/p>\n

J.M.Sperger\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Symphonies for Strings<\/p>\n

H.I.F.Biber \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Mensa sonora pars VI, Sonatas a 5, 6","protected":false},"excerpt":{"rendered":"

  Vzdelanie: 2002 – 2008\u00a0\u00a0\u00a0 Univerzita Komensk\u00e9ho v\u00a0Bratislave, Pedagogick\u00e1 fakulta, doktorandsk\u00e9 \u0161t\u00fadium 1990 – 1995 \u00a0\u00a0 Vysok\u00e1 \u0161kola m\u00fazick\u00fdch umen\u00ed v\u00a0Bratislave 1985 – 1990 \u00a0\u00a0 Konzervat\u00f3rium v\u00a0Bratislave 1981 – 1985 \u00a0\u00a0 Gymn\u00e1zium Ivana Horv\u00e1tha v\u00a0Bratislave pr\u00edrodovedn\u00e1 trieda s\u00a0roz\u0161\u00edren\u00fdm jazykom nemeck\u00fdm … Continued<\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-4313","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/pages\/4313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/comments?post=4313"}],"version-history":[{"count":2,"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/pages\/4313\/revisions"}],"predecessor-version":[{"id":4317,"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/pages\/4313\/revisions\/4317"}],"wp:attachment":[{"href":"https:\/\/www.slovakdoublebassclub.com\/en\/wp-json\/wp\/v2\/media?parent=4313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}